I've been writing a series of essays that may eventually be book-length on Property and Free Speech, called How Free Is Speech in America, Today? Or “Is Free Speech ________?” One chapter was edited for publication in the November issue of the Brooklyn Rail. You can read it HERE. Other subjects include Banksy's "artists residency" in October 2013, with a general discussion of street art versus property regime over time; optics and 4d perception; cultural cannibalism; the New Society alternatives we've been working on since 2011 (through collective productions and projects OAS, GFS, OwA, the Spatial Occupation of Hyperallergic, Novads, etc). I hope to review case studies from pre-Occupy AFH, such as AFH Gallery Chinatown, Eureka!, DDDD/01, etc. The method I'm using in the text is 4D analysis. I may publish some portion of the text here, but for now am reserving How Free Is Speech in America... for outside publication. For now, here's a snippet, minus footnotes and citations, from Chapter 3, "Optics and 4 Dimensional Perception":